Short-Form Creative Writing

Höfundur H. K. Hummel; Stephanie Lenox

Útgefandi Bloomsbury UK

Snið Page Fidelity

Print ISBN 9781350019881

Útgáfa 1

Útgáfuár

2.690 kr.

Description

Efnisyfirlit

  • Half Title
  • Series
  • Title
  • Copyright
  • Contents
  • Figures
  • Preface
  • Why write short?
  • How we’ve organized each chapter
  • Relevant readings
  • Flash interviews
  • Free dives
  • Vignettes
  • Exercises
  • Prompts
  • One-sentence workshops
  • Getting started
  • Part I An Introduction to Short-Form Creative Writing
  • 1 A Long History of the Short Form
  • Relevant readings
  • Flash interview with Pía Barros
  • Free dive
  • Vignette: Urgency and the short form
  • In the beginning
  • A note on genre
  • Flash fiction
  • Prose poetry
  • Flash nonfiction
  • What is short-form writing?
  • Two worlds collide
  • Dissecting the dinosaur
  • Conclusion: Stealing strategies
  • Exercises
  • Prompts
  • One-sentence workshop
  • Part II The Craft of Short-Form Creative Writing
  • 2 Picture This
  • Relevant readings
  • Flash interview with Calvin Mills
  • Free dive
  • Vignette: If you hand me the right map
  • Stare: Educate the eye
  • Image as epiphany
  • The stereoscopic image
  • Not just scenery
  • Conclusion: Moving images
  • Exercises
  • Prompts
  • One-sentence workshop
  • 3 Voice, Character, and Narrator
  • Relevant readings
  • Flash interview with Sarah Evans
  • Free dive
  • Vignette: Stephanie’s stamp collection
  • Overview
  • Hearing voices
  • Dialogue basics
  • Point of view
  • First-person singular
  • First-person plural
  • Second person
  • Third-person singular
  • The unreliable narrator
  • Authentic dialogue
  • Asking questions
  • Dialogue format
  • Is “said” dead?
  • Conventional versus unconventional format
  • Multidimensional dialogue
  • The psychological gesture
  • The show/tell ratio
  • Recognizing clichés and stereotypes
  • Conclusion: What are your characters made of?
  • Exercises
  • Prompts
  • One-sentence workshop
  • 4 Moving through Time and Space
  • Relevant readings
  • Flash interview with Karen E. Bender
  • Free dive
  • Vignette: Tonight, at the Santee Drive-in Theatre
  • The narrative dilemma
  • Self-contained worlds
  • The flexibility of time: A few illustrations
  • The space-time continuum
  • Endless possibilities
  • Conclusion: Sneak in, slip out
  • Exercises
  • Prompts
  • One-sentence workshop
  • 5 The Microcosmic Sentence
  • Relevant readings
  • Flash interview with Justin Torres
  • Free dive
  • Vignette: Beginning and ending with a dot
  • What is a sentence?
  • All about relationships
  • What is structure?
  • A blueprint for thought
  • What is syntax?
  • A marriage of music and meaning
  • What is style?
  • Unity
  • Variety
  • Pattern
  • Making short sentences
  • Making long sentences
  • Making fragments
  • Conclusion: Make the sentence your own
  • Exercises
  • Prompts
  • One-sentence workshop
  • 6 How to Leap: Ah-ha Moments and Associative Logic
  • Relevant readings
  • Flash interview with Bryan Fry
  • Free dive
  • Vignette: West Coast girl goes South
  • And, suddenly, I knew …..
  • Context, text, and subtext
  • Once upon a time
  • The involuntary imagination
  • The hidden parts of a story
  • Entrances
  • Exits
  • Gestalt theory for flash
  • Figurative language in a flash
  • Synecdoche and metonymy
  • Conclusion: Follow the path
  • Exercises
  • Prompts
  • One-sentence workshop
  • 7 Translucent Design
  • Relevant readings
  • Flash interview with Ada Limón
  • Free dive
  • Vignette: The jackalope
  • The invisible workaday paragraph
  • Charming snakes and snake charming
  • The rule of threes
  • Integrating sound patterns
  • Integrating nonsound patterns
  • Conclusion: Black bear against night sky
  • Exercises
  • Prompts
  • One-sentence workshop
  • 8 Beg, Borrow, and Steal
  • Relevant readings
  • Flash interview with Steve Coughlin
  • Free dive
  • Vignette: Terra incognita
  • Be a hermit crab
  • Forms to borrow, steal, and make your own
  • ABC
  • Advertisement
  • Aphorism
  • Autobiography/biography
  • Character sketch
  • Confession
  • Collage
  • Definition
  • Dream
  • Fable
  • Fairytale/frame story
  • Instructions
  • Inventory/list
  • Letter
  • Vignette
  • Conclusion: Extreme restriction and a note of caution
  • 9 Finding the Funny
  • Relevant readings
  • Flash interview with Matthew Clarke
  • Free dive
  • Vignette: Dead frogs and rooftop dolphins
  • The soul of wit
  • Your funny bone
  • Where to start?
  • Comic treatments
  • “What if”/“yes, and”
  • Timing, context, structure
  • The short form as trickster
  • Surprise, surprise
  • Conclusion: Where jokes come from
  • Exercises
  • Prompts
  • One-sentence workshop
  • 10 Misfit Pleasures
  • Relevant readings
  • Flash interview with Alex Carr Johnson
  • Free dive
  • Vignette: Talk to me (a Wunderkammer)
  • A taxonomy of the strange
  • Useful distortion
  • Fragmentation and atomization
  • Conclusion: The art of miniaturization
  • Exercises
  • Prompts
  • One-sentence workshop
  • 11 Not So Fast! Strategic Revision
  • Relevant readings
  • A flash conversation on revision
  • Cut it down
  • Ask for more
  • Weigh each word
  • Listen closely
  • Test the limits
  • Remember what’s critical
  • Free dive
  • Gaming the draft
  • Building and shaping
  • Begin with “what if?”
  • Make friends with your doubts
  • Exercise 1: Seeing the waterfall
  • Exercise 2: Fact-check yourself
  • Exercise 3: Get your hands dirty
  • Exercise 4: The layers of revision
  • Ten steps toward revision
  • Exercise 5: Breaking and unbreaking lines of text
  • Exercise 6: Exploding the text
  • Exercise 7: Shaving with Occam’s Razor
  • Conclusion: The Beautiful Lightning
  • Part III Short-Form Creative Writing Anthology
  • Cookie Monster on the Dole
  • All This
  • A Story Possibly Heard in Some Bar at Three in the Morning
  • Be Drunken
  • My Grading Scale for the Fall Semester, Composed Entirely of Samuel Beckett Quotes
  • A
  • B
  • C
  • D
  • E
  • F
  • The Man Who Hated Us and Then Forgot
  • One Long Sentence
  • Thin Cities 5
  • Grip
  • The Cat
  • Rules of Combat
  • Boy at Night
  • Letter to a Funeral Parlor
  • For My Sister in the River
  • Self-Portrait as a Chimera
  • My Devils
  • The Prose Poem as a Beautiful Animal
  • Dust
  • Time Travel
  • Instruction, Final: To Brown Poets from Black Girl with Silver Leica
  • A Thousand Perfect Strangers
  • Dinner Party
  • Poland
  • Hill Street Blues
  • Dumped: Seven Cautionary Tales
  • Bob and Betty
  • Gina and George
  • Dana and David
  • Linda and Liam
  • Kim and Krishna
  • Tom and Tilde
  • Sean and Susan
  • What You Are
  • Memoir
  • A Modern Fable
  • 8 Meetings Nobody Scheduled
  • Natalia
  • La Jungla
  • The Letter from Home
  • The Quiet Machine
  • Some Things about That Day
  • Surplus History
  • the invisible girl can be anything she wants when she doesn’t want to be invisible
  • The Girl Who Likes Dogs
  • The Dinosaur
  • Gravity, Reduced
  • On Miniatures
  • Pleasant, healthy-appearing adult white female in no acute distress
  • Dinosaur
  • Short Lecture on Your Own Happiness
  • Life Story
  • go-go tarot
  • Cannibals and Explorers
  • An All-Purpose Product
  • Consequence
  • In Praise of Latin Night at the Queer Club
  • Icelandic Hurricane
  • The Box
  • The Inventory from a Year Lived Sleeping with Bullets
  • Immigrant Haibun
  • Scheherazade.
  • Small Meditations
  • A Letter to Deb Clow
  • Excerpt from “Four about Death”
  • Author Bios
  • Acknowledgments
  • Genre Index
  • Index
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