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• Designing for print
• Contents
• Preface
• Chapter One: Planning Your Design
• Layout Variations: Standard and Custom Formats
• CD Booklets
• Brochures
• Custom Formats
• Building Mechanicals
• Developing a Working Grid
• Margins and Gutters
• Grid Variations
• Placing Elements within the Grid
• Single Pages
• Facing Pages and Spreads
• Getting Ideas and Gathering Imagery
• Sketching Out a Game Plan: Thumbnailing
• Exhaust the Possibilities: Creating Design Variations
• Cutting to the Chase: Designing with Die Cuts
• Chapter Two: Designing with Type
• Type Fundamentals
• Understanding Tracking and Kerning
• Kerning Display Type
• Tracking Body Copy
• Distorting Type and Scaling in Proportion
• Getting Type to Fit without Distorting It
• Widows, Orphans, Ladders, and Rivers
• Treating Type with Consistency
• Many Faces, Many Moods
• Classic Typefaces
• Selecting Effective Typefaces
• Choosing Typefaces: Form and Function
• Working with Text Boxes and Columns
• Separate Text Columns
• Multiple-Column Text Boxes
• Small Caps and All Caps
• Setting Small Caps in InDesign
• Type and Drop Shadows
• Hard-Edged Drop Shadows
• Soft Drop Shadows
• Creating Baseline Grids
• Setting Baseline Grids
• Baseline Grids and Text Boxes
• Understanding Baseline Grids
• Letting the Baseline Grid Serve as a Guide
• Using Baseline Grids to Cross-Align
• Type Readability
• Serif and Sans Serif Typefaces
• Upper- and Lowercase Settings
• Character Recognition
• Knockout Type
• Case Settings and Readability
• Type Form Follows Function
• Reverse Type and Image
• Readability and Column Width
• Readability: Complex Text Wraps
• Mastering Text Wraps
• Taking Control: Manually Editing Text Wraps
• Creating Depth with Silhouetted Images
• Setting and Styling Captions
• Show Hidden Characters
• Styling Paragraphs
• Applying and Styling Drop Caps
• Basic Drop Cap Settings in InDesign
• Controlling Indents and Insets
• Understanding and Setting Tabs
• Designing and Styling Text Tables
• Styling Tables with Tint Bands
• Using Tint Bands as Rules
• Refining the Chart Design
• Simple Tables in InDesign
• Creating Stylesheets
• Chapter Three: Designing with Photographs
• Image Types: One Color, Two Color
• Color Models
• The Four-Color Process
• CMYK Process Color
• TruMatch Color System
• The Pantone System
• Swatch Books
• Maintaining Image Integrity
• Image Distortion: Scaling
• Image Distortion: Flipping Photos
• What’s Wrong with this Picture?
• Formatting Images for Print
• Understanding Linked Images
• Manipulating Images and Picture Boxes
• Rotation Settings
• Customizing Corner Styles
• Image Types: Monotones, Duotones
• Creating a Basic Duotone
• Monotones and Tritones
• Duotones and Sepia Tone Effects
• Type, Image, and Readability
• Type and Image: Composing Page Layouts
• Vertical and Horizontal Compositions
• Type and Image: Page Composition
• Perfect Imbalance: Asymmetrical Design
• Using Holding Rules
• Focusing In: Cropping Techniques
• Picture Box Shapes
• Standard Frame Types
• Customizing Picture Frames
• Editing Picture Box Shapes
• Resizing Frames
• Reshaping Frames
• Complex Shapes and Bézier Curves
• Custom Shapes: Using Pathfinder
• Pathfinder Options
• The Big Picture
• Complex Shapes: Advanced Techniques
• Tabbed Windows
• Slicing Images
• Image Grids: Step and Repeat
• Compound Shapes
• Complex Shapes: Align and Distribute
• Label Design
• Placing Images into Text
• Using Create Outlines
• Selecting Appropriate Typefaces
• Cutting Type Outlines into an Image
• An Image for Every Letter
• Organizing Annotated Photo Layouts
• Styling Pointers and Annotations
• Creating Customized Annotations
• Creating Legends for Photographs
• Using Legends with Maps
• Placing Legends in Photos
• Chapter Four: Advanced Typography
• Using the Character and Paragraph Palettes
• Vertical Type: Cheap Motels and Drive-ins
• Curves Ahead: Create Outlines
• Outlines: The Pros and Cons
• Controlling Type Outlines
• The Pen and Selection Tools
• Keepin’ It Real: Staying True to the Original Typeface
• Creating Custom Ligatures
• Applying Effects: The Good, Bad, and the Ugly
• Shattering Type
• Offset Path: Inlines, Outlines, and Shadows
• Creating Stylized Drop Shadows
• Knockout Shadows
• Linear Drop Shadows
• Soft Drop Shadows Using Blends and Filters
• Reflective Shadows
• Creating the Illusion of Transparency
• Separating Stroke and Fills
• 3D Type: Beveling Type Outlines
• Complex Beveling
• Extrude & Bevel Effects
• Extruding and Creating Perspective
• Manually Extruding Type
• 3D Effects: Extrude
• Metallic Type and Gradients
• Type on a Path: Curves, Spirals, and Circles
• Receding Type into the Distance
• The Free Distort Effect
• 3D Effects
• Inlaid Text: Cropping Objects into Type
• Inlaying Straight Lines into Text
• Inlaying Wavy Lines into Text
• Creating Concentric Shapes
• Inlaying Concentric Patterns
• Filling Shapes with Body Copy
• Using Photoshop Paths
• Filling Custom Shapes
• Bubbles and Balls: Warp Effects
• Creating Logotypes: 3D Effects
• Distressed Type and Alternative Techniques
• Using Hand-Drawn Type
• Using 3D Objects as Letterforms
• Using Photocopiers to Distress Type
• Old School: Rubber Stamps, Stencils, and Typewriters
• Using Envelopes to Warp Type
• Masking Images into Type
• Chapter Five: Preparing Your Images
• Destination Please? Formatting Images
• Sizing, Scaling, and Setting Resolution
• Scanning and Scaling Images
• Scaling Images for InDesign Documents
• Increasing Resolution
• Image Prep: Cropping Images
• Spot Remover: The Clone Stamp Tool
• Getting Results: Basic Scanning Techniques
• Focusing In: Sharpening Images
• True Colors: Color-Correcting Images
• Adjusting Levels and Curves
• Color-Correction 101: A Primer
• Dodge and Burn: Tonal Correction
• Scanning Large-Scale Artwork
• Ghosting Images
• Image Opacity and Type Readability
• Tombstones: Opacity and Selections
• Silhouetted Images: Clipping Paths
• Silhouetting Images: The Quick Selection Tool
• Soft Edges: Feathering Images
• Creating Natural Shadows
• The Cutting Edge: Torn Paper Effects
• 3D Objects and Textures
• Scanning and Designing with 3D Objects
• Creating Custom Surface Textures
• Smart Objects and Silhouetted Images
• Compositing with Smart Objects
• Fade Away: Creating Vignetted Images
• Manipulating Imagery Using Filters
• The Blur Filters
• The Color Halftone Filter
• Posterizing Images
• Adding Noise to Images
• Chapter Six: Illustrating Effectively
• Simple Illustration Approaches
• Visual References: Tracing and Live Paint
• To Trace or Autotrace
• Applying Live Paint to Raster Images
• Combining Primary Shapes
• Using Shapes to Unite and Subtract
• Creating Individual Shapes Using Divide
• Complex Shapes
• Mirror, Mirror: Building Symmetrical Shapes
• From Line to Shape: Outline Stroke
• Refining and Styling Line Quality
• Stylizing Lines and Digitizing Tablets
• Between the Lines: The Live Paint Tools
• Styling Illustrations: Linear Techniques
• Creating Linear Patterns
• Keeping Perspective: Cylindrical Shapes
• Basic Transformations
• Building on the Process
• Styling with Blends and Gradients
• Fluted Shapes
• Building Interlaced Shapes
• Coiled Objects: Chain Links and Slinkys
• Building Chain Links
• Building Coiled Shapes
• Slinkys and Other Variables
• Nuts and Bolts: Building and Styling Technical Shapes
• Building the Basic Shapes
• Styling Objects: Smooth Blends
• Styling Objects: Linear Blends
• The Revolve Effect
• Vanishing Points and Two-Point Perspective
• Creating Mechanical Gears
• Creating Two-Point Perspective
• Using 3D Effects
• Using Blends to Build Shapes and Create Volume
• Creating Banners and Ribbons
• Corner Banners
• The Final Touch: Backgrounds and Shadows
• Creating Drop Shadows
• Skewing Shadows
• Styling Drop Shadows
• Merging Shadows and Surface
• Using Opacity
• Using Custom Brushes
• Brush Basics
• Type as Brush
• Creating Custom Art Brushes
• Building Pattern Brushes
• Warp Effects and Custom Brushes
• Building a Custom Art Brush
• Applying a Custom Art Brush
• Designing Charts and Graphs
• Creating Custom Columns
• Creating Variations and Using Artboards
• Gradient Mesh: Smooth Surfaces
• Chapter Seven: Putting It All Together
• Prepping Images
• Why Doesn’t the Print Match the Screen?
• Mechanicals
• Building Prototypes
• Creating Acrobat PDF Files
• Preparing Files for Final Output
• Optimizing Images and Updating Links
• Preflighting the InDesign Document
• Color Proofing
• Collecting for Output: InDesign Packages
• Compressing Files
• Fifth Colors
• Paper Stocks
• PDF Formats
• Decimal Conversion Chart
• Design Resources
• Bibliography
• Photography and Illustration Credits
• Index