Efnisyfirlit

• Cover
• Title
• Copyright
• Dedication
• Contents
• List of figures
• Acknowledgements
• Introduction to the classic edition
• 1 Introduction
• 1.1 Translation, power, conflict
• 1.2 Why narrative?
• 1.3 Overview of chapters
• 2 Introducing narrative theory
• 2.1 The status and effects of narrativity
• 2.2 Defining narrative
• 2.3 The political import of narratives
• 3 A typology of narrative
• 3.1 Ontological narratives
• 3.2 Public narratives
• 3.3 Conceptual (disciplinary) narratives
• 3.4 Meta- (master) narratives
• 4 Understanding how narratives work: features of narrativity I
• 4.1 Temporality (Bruner’s narrative diachronicity)
• 4.2 Relationality (hermeneutic composability)
• 4.3 Causal emplotment
• 4.4 Selective appropriation
• 5 Understanding how narratives work: features of narrativity II
• 5.1 Particularity
• 5.2 Genericness
• 5.3 Normativeness/canonicity and breach
• 5.4 Narrative accrual
• 6 Framing narratives in translation
• 6.1 Framing, frame ambiguity and frame space
• 6.2 Temporal and spatial framing
• 6.3 Selective appropriation of textual material
• 6.4 Framing by labelling
• 6.5 Repositioning of participants
• 7 Assessing narratives: the narrative paradigm
• 7.1 The narrative paradigm: basic tenets
• 7.2 Coherence (probability)
• 7.3 Fidelity
• 7.4 Assessing narratives: applying the model
• 7.5 Concluding remarks
• Glossary
• Notes
• Bibliography
• Index