Efnisyfirlit

• Cover Page
• Half Title page
• Title Page
• Copyright Page
• Contents
• List of illustrations
• Preface to the first edition
• Preface to the second edition
• Acknowledgements
• Chapter 1 Beginning to Theorize Adaptation: What? Who? Why? How? Where? When?
• Familiarity and Contempt
• Treating Adaptations As Adaptations
• Exactly What Gets Adapted? How?
• Double Vision: Defining Adaptation
• Adaptation as Product: Announced, Extensive, Specific Transcoding
• Adaptation as Process
• Modes of Engagement
• Framing Adaptation
• Chapter 2 What? (Forms)
• Medium Specificity Revisited
• Telling ← → Showing
• Showing ← → Showing
• Interacting ← → Telling or Showing
• Cliché #1
• Cliché #2
• Cliché #3
• Cliché #4
• Learning from Practice
• Chapter 3 Who? Why? (Adapters)
• Who Is the Adapter?
• Why Adapt?
• The Economic Lures
• The Legal Constraints
• Cultural Capital
• Personal and Political Motives
• Learning from Practice
• Intentionality in Adaptations
• Chapter 4 How? (Audiences)
• The Pleasures of Adaptation
• Knowing and Unknowing Audiences
• Modes of Engagement Revisited
• Kinds and Degrees of Immersion
• Chapter 5 Where? When? (Contexts)
• The Vastness of Context
• Transcultural Adaptation
• Indigenization
• Learning from Practice
• Why Carmen?
• The Carmen Story—and Stereotype
• Indigenizing Carmen
• Chapter 6 Final Questions
• What Is Not an Adaptation?
• What Is the Appeal of Adaptations?
• Epilogue
• References
• Index