Efnisyfirlit

• Cover
• Title Page
• Copyright
• Contents
• Introduction: Islam and Popular Culture
• Part I. Popular Culture: Aesthetics, Sound, and Theatrical Performance in the Muslim World
• 1. Listening Acts, Secular and Sacred: Sound Knowledge among Sufi Muslims in Secular France
• 2. Islamic Popular Music Aesthetics in Turkey
• 3. Theater of Immediacy: Performance Activism and Art in the Arab Uprisings
• Part II. Artistic Protest and the Arab Uprisings
• 4. “Islam Is There to Make People Free”: Islamist Musical Narratives of Freedom and Democracy in the Moroccan Spring
• 5. Visual Culture and the Amazigh Renaissance in North Africa and Its Diaspora
• 6. Can Poetry Change the World? Reading Amal Dunqul in Egypt in 2011
• Part III. Islam: Religious Discourses and Pious Ethics
• 7. The Sunni Discourse on Music
• 8. Shiʿa Discourses on Performing Arts: Maslaha and Cultural Politics in Lebanon
• 9. Islam at the Art School: Religious Young Artists in Egypt
• 10. Writing History through the Prism of Art: The Career of a Pious Cultural Producer in Egypt
• Part IV. Cultural Politics and Body Politics
• 11. Ambivalent Islam: Religion in Syrian Television Drama
• 12. Discourses of Religiosity in Post-1997 Iranian Popular Music
• 13. Sacred or Dissident: Islam, Embodiment, and Subjectivity on Post-Revolutionary Iranian Theatrical Stage
• 14. Public Pleasures: Negotiating Gender and Morality through Syrian Popular Dance
• Part V. Global Flows of Popular Culture in the Muslim World
• 15. Performing Islam around the Indian Ocean Basin: Musical Ritual and Recreation in indonesia and the Sultanate of Oman
• 16. Muslims, Music, and Religious Tolerance in Egypt and Ghana: A Comparative Perspective on Difference
• 17. Music Festivals in Pakistan and England
• 18. Fleas in the Sheepskin: Glocalization and Cosmopolitanism in Moroccan Hip-Hop
• Notes on Contributors
• Index