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• Titlepage
• Copyright
• Credits
• Dedication
• Acknowledgments
• About the Author
• Introduction
• Who Should Read This Book
• What Is Covered in This Book
• How to Contact the Author
• Chapter One: Fundamentals of DSLR Filmmaking
• Features of DSLR Cameras
• Features of SLR Lenses
• How Sensor Size and Lenses Interact
• Chapter Two: Gear and Recommendations
• What Camera Is Right for You?
• Lenses and Accessories
• Lights
• Audio
• Tripod and Dollies
• Specialty Items and Miscellaneous
• Planning Your Gear Package
• Chapter Three: Testing and Custom Settings
• Camera-Specific Testing
• Testing Equipment Interactions
• Using In-Camera Presets
• Changing the Camera Presets for Image Control
• Customizing Your Picture Style: Steps for Canon DSLR Cameras
• Chapter Four: Cameras and Lenses on Location
• Using Cameras on Location
• Using Lenses on Location
• Chapter Five: Camera Motion and Support
• Camera Motion
• Types of Camera Movement
• Planning the Motion
• Gear for Designing and Controlling Movement
• Stabilizing Your Camera Motion
• Motion, the Edit, and Cutting
• Chapter Six: Lighting on Location
• Planning the Lights
• Choosing Lights
• Principles for Setting Lighting
• Types of Lights by Position
• Lighting for Special Situations
• Managing Light
• Light Quality
• Picking Exposure
• Chapter Seven: Sound on Location
• The Role of Sound
• Recording Sound with DSLR Cameras
• Microphones and Key Accessories
• Planning, Setting Up, and Recording a Shoot
• Chapter Eight: Organizing and Storing Data in the Field
• Setting Up a File System
• Understanding Different Capture Formats
• Backing Up Your Footage on Set
• Organizing Data on Set
• Chapter Nine: Troubleshooting
• Avoiding Problems: What to Do, What to Take
• Shooting Problems
• Hardware Problems
• Ways to Save the Shot
• Chapter Ten: Converting and Editing Your Footage
• Setting the Foundation for Post-Production Workflow
• Choosing the Right Hard Drives
• Backing Up Data
• Choosing and Using an Editing Codec
• Editing Your Footage
• Chapter Eleven: Audio Crash Course
• Syncing Your Audio and Video
• Troubleshooting Out-of-Sync Sound
• Automated Dialogue Replacement and Sound Effects
• Finding Music
• Chapter Twelve: Color Correction and Grading
• Color Theory and the Eye
• Color Correction on Set: Outside the Camera
• Color Correction on Set: Inside the Camera
• What Is This Camera Shooting Anyway and Why Do I Care?
• Post-Production Color Correction and Grading
• Chapter Thirteen: Compressing Your Film
• Understanding Compression
• Outputting Your Video
• Chapter Fourteen: Post-Production Looks
• Primary Color Correction
• Micromanaging with Regional Color Corrections
• Secondary Color Correction
• Faux Lens Effects
• Behind-the-Lens Fakery
• Chapter Fifteen: Workshops
• A Brief Guide to Underwater Cinematography
• Rigging a Car
• Achieving That Cinematic Look: Ramping and Changing Frames per Second
• End-User License Agreement