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• Cover
• Half Title
• Dedication Page
• Title Page
• Copyright Page
• Table of Contents
• Foreword
• Part I. Introduction
• How and Why the Framework Got Developed
• What We Built On
• The “Excellent Judges” Name
• What’s in This Book and on the CD
• Part II. What Is the Framework?
• The Purpose and the Process
• The Joy of Thinking
• Taking a “Visitor-Centered Perspective”
• How Design Fits into the Framework
• The Role of Intention
• Part III. How to Use the Framework
• The Framework Form
• 1. The First Meeting—Orientation
• 2. Creating Call-Outs
• 3. Assessing the Aspects
• 4. Rating the Criteria
• 5. The Second Meeting—Assessing and Comparing
• The Biggest Drawbacks
• Integrating the Use of the Framework for In-House Exhibition Development
• Using the Framework to Teach Museum Studies
• Using the Framework with Art Museums
• Part IV. Theoretical Underpinnings
• How the Framework Compares to Other Methods of Reviewing Exhibitions
• Research and Other Studies that Inform the Framework’s Criteria
• Meeting John R. Frederiksen
• Issues with Validity and Reliability
• Wild Reef: A Points-of-View Case Study
• Comparing the Framework to Evaluation Findings
• Pivotal Moments in the History of Building the Framework
• Part V. Future of the Framework
• Broader Use of Guidelines for Judging Excellence in Exhibitions
• Expanding the Functions of the Framework: Creating a Library of Exemplars
• Bringing Staff Together for Better Communication, Efficiency, and Outcomes
• Into the Future
• Glossary
• Bibliography
• Photo Credits
• Who Were the Excellent Judges, Anyway?
• About the Chapter Contributors
• Index
• About the Author