Efnisyfirlit

• Cover Page
• digital storytelling
• Title
• Copyright
• Dedication
• Contents
• Foreword
• Acknowledgments
• Introduction
• How to Use This Book
• Story in the Eye of the Storm
• The Movement Matures
• Finding Home
• 1 The Work of Story
• The Biology of Story
• The Hollywood Century and the American Myth
• Our Ordinary Stories Become Extraordinary Journeys
• Story Work in the Age of Media Ubiquity
• Reframing Our Personal Myths
• 2 Stories of Our Lives
• Infoglut
• De-storification
• The Editor
• The Good Consumer Habit
• Kinds of Personal Stories
• Don’t Just Sit There
• Interlude 1: The Legacy of Tanya
• 3 A Road Traveled: The Evolution of the Digital Storytelling Practice
• Story, Folk Songs, and the American Tradition of Celebrating Lives Lived
• The Texan Gets Baptized in the Revolution
• Life and Life On The Water
• The Colorado Spaceman Exits in San Francisco
• An Exit Called Hollywood: 1993 at the American Film Institute
• Inspirations and Transformations
• From the Roadside Diner, the Circus Hits the Road
• Digital Storytelling Goes to the University
• Death and Decision, Health and Healing
• The Promise
• 4 The World of Digital Storytelling
• Defining the Digital Story
• The Taxonomy of Media Practices
• Approaches to Content in Digital Storytelling
• Approaches to the Production Process in Digital Storytelling
• Interlude 2: Wynne’s Story
• 5 Seven Steps of Digital Storytelling
• Step 1: Owning Your Insights
• Step 2: Owning Your Emotions
• Step 3: Finding the Moment
• Step 4: Seeing Your Story
• Step 5: Hearing Your Story
• Step 6: Assembling Your Story
• Step 7: Sharing Your Story
• 6 The Story Circle
• Facilitating the Digital Storytelling Workshop
• The Symphony of Sharing Lives – a Story
• Approaches to Facilitation
• A Small Miracle
• The Workshop Process Unpacked
• Software Tutorial and Production
• A Sacred Trust
• 7 To Students: Getting Started in Digital Story Work: Mindsets and Methods
• The Mindset of the Story Worker: Making Homework a Story-Worthy Experience
• The Real Simple Guide to Creating a Digital Story
• Note
• Interlude 3: İlmiye’s Story by Burcu Şimşek
• 8 Approaches to the Scripting Process: Prompts and Processes
• Our Friend, the 4 × 6 Index Card
• Writing Exercises
• These Stories From These Pictures
• Getting Into the Scene
• Character Studies and Personal Story
• Interviewing
• Interviewing Techniques
• Fragments of Understanding
• Finally, a Few Words on Style
• 9 The Walking Story Circle: Rethinking Digital Storytelling in the Era of Mobile Devices
• A Bit of History
• General Project Approaches and Curriculum
• Integrating Mobile Devices Into the Traditional Model
• The Walking Story Circle
• Documenting Place as Service Learning
• Study Abroad
• Mobile Digital Storytelling and Participatory Journalism
• The Tools
• iOS Apps
• Android Apps
• Interlude 4: Areej’s Story by Nikoline Lohmann
• 10 Storyboarding
• Recipe for Disaster
• Making a Storyboard
• 11 Designing in Digital: Working With Digital Imaging, Audio, and Video
• Thinking Like a Designer
• Robert Kershaw’s “Camaro Boy”
• One Picture Becomes Many Pictures
• Working Within the Frame
• Visual Pacing
• Implicit Use of Images
• Panning and Zooming
• Barcelona Marathon – Design as Improvisation
• The Visual Treatment
• Final Note
• Interlude 5: Nellie’s Story by Rani Sanderson
• 12 Distribution, Ethics, and the Politics of Engagement
• The Genie Stays in the Bottle
• The Explosion of Participatory Media Practices
• Building an Ethics Framework From Documentary and Human Services Perspectives
• In a World of Do-It-Yourself, Why Do Ethics Still Matter?
• 13 Applications of Digital Storytelling
• Telling an Organization’s Story
• Persuasion or a Prompt to Action
• Reflective Practice
• Health and Human Services
• Intergenerational Connection
• Disability
• Youth Programs
• Identity and Diversity
• Activism
• Immigrants and Refugees
• International Development
• K–12 and Higher Education Curricula
• Scenario Planning/Futures Thinking
• Professional Evaluation
• Team Building
• Journalism
• Technology Training
• Place and Planning
• Conservation, Local Wisdom, and Environmental Justice
• Story and the Makerspace: Libraries and Museums
• The Future of Digital Storytelling
• Interlude 6: Zahid’s Story
• 14 Silence Speaks: Interview With Amy Hill
• 15 Listening to Change: Stories From Alaska’s Native Health Communities: Interview With Laura Revels
• Note
• 16 Humanizing Healthcare: A Conversation With Dr. Pip Hardy and Tony Sumner
• 17 Transforming Education Through Story Work: A Conversation With Dr. Brooke Hessler
• Addendum: Silence Speaks: Guidelines for Ethical Practice
• Introduction
• Section A: Core Principles
• Section B: Ethics and the Digital Storytelling Workshop
• Section C: Ethics When Sharing Digital Stories After a Workshop
• Appendix: Digital Storyteller’s Bill of Rights
• Notes
• Bibliography
• Digital Storytelling
• Storytelling, Story Work, and Public Speaking
• Creative Writing and Autobiography
• Counseling, Group Process, Facilitation
• Design, Media and Applications
• Storytelling and Education
• Cognitive Theory, Psychology, and Narrative
• Storytelling in Corporate and Organizational Contexts
• Community Arts Practice
• General
• Index