Efnisyfirlit

• Half Title
• Title Page
• Copyright
• Contents
• List of Black and White Illustrations
• List of Colour Plates
• Preface to the 2nd Edition
• Part I: The Origins of Video Art: The Historical and Cultural Context
• Introduction
• 1. In the Beginning: The Origins of Video Art
• 2. Crossing Boundaries: International Tendencies and Influences in Early Artists’ Video
• 3. Technology, Access and Context: Social and Political Activists and their Role in the Development
• 4. Expanded Cinema: The Influence and Relationship of Experimental, Avant-Garde and ‘Underground
• 5. Musique Concrète, Fluxus and Tape Loops: The Influence and Impact of Sound Recording and Experim
• 6. Theory and Practice: The Influence and Impact of Theoretical Ideas on Early Technology-Based Prac
• 7. Beyond The Lens: Abstract Video Imagery and Image Processing
• Part II: A Discussion of Some Representative and Influential Video Artworks Set in Relation to their
• 8. In and Out of the Studio: The Advent of Inexpensive Non-Broadcast Video
• 9. Cutting It: Accessible Video Editing
• 10. Mixing It: Electronic/Digital Image Manipulation
• 11. The Gallery Opens its Doors: Video Installation and Projection
• 12. The Ubiquity of the Video Image: Artists’ Video as an International Phenomenon
• Part III: The Development of Artists’ Video and Video Installation in Response to Technological Ch
• 13. Fields, Lines and Frames: Video as an Electronic Medium
• 14. The Means of Production: Feminism and ‘Otherness’ – Race, Gender, Technology and Access
• 15. Off the Wall: Video Sculpture and Installation
• 16. Going Digital: The Emergence of Digital Video Editing, Processing and Effects
• 17. Video Art in the New Millennium: New Developments in Artists’ Video since 2000
• Part IV: References
• Glossary
• Notes
• Bibliography
• Index