A New History of Documentary Film

Höfundur Betsy A. McLane

Útgefandi Bloomsbury USA

Snið ePub

Print ISBN 9781501385155

Útgáfa 1

Útgáfuár 2023

2.190 kr.

Description

Efnisyfirlit

  • Cover
  • Half-Title
  • Title
  • Contents
  • List of Illustrations
  • Preface
  • Introduction
  • How to Study Documentary
  • How to Use This Book
  • 1 Ways to Think About Documentary
  • Description
  • Definition
  • Intellectual Contexts
  • 2 Origins
  • Early War and Propaganda Films
  • Propaganda
  • 3 Exploration and Establishment
  • Exploration
  • Early Visual Anthropology
  • Frances and Robert Flaherty
  • 4 The Soviets
  • Reportage/Newsreel
  • Theory
  • Compilation
  • Epic
  • Fiction and Documentary
  • 5 Avant-Garde Expressions
  • Avant-Garde and Documentary
  • City Symphonies
  • Three Classic European City Symphonies
  • Changes in the Avant-Garde
  • 6 Institutionalization: Great Britain, 1929–39
  • Background
  • The System
  • The Films
  • Women Filmmakers
  • Grierson’s Lasting Contribution
  • 7 Institutionalization: United States
  • The March of Time
  • Government Sponsorship
  • Nongovernment Documentaries
  • Comparisons: The United Kingdom and The United States
  • Canada
  • An Aside
  • 8 The Second World War
  • Part A: Great Britain
  • Part B: Canada
  • Part C: United States
  • Conclusions
  • 9 The Postwar Era, 1945–60
  • Personnel and Leadership
  • Sponsorship
  • Marshall Plan Films
  • Canadian Independents
  • USIA Films
  • Subjects
  • Approaches and Techniques
  • 10 A New Channel: Documentary for Television, 1951–71
  • A Technical Note
  • Historical Background
  • Documentary Series
  • Characteristics of Broadcast Television Documentary
  • 11 Free Cinema/New American Cinema, 1953–69
  • Britain
  • Critical Background
  • The Films
  • Meaning
  • United States
  • New York School Films
  • New American Cinema
  • 12 Cinéma Verité/Direct Cinema
  • Historical Background
  • New Technologies
  • Canada
  • United States
  • The Films
  • France
  • Direct Cinema versus Cinema Verité
  • Effects on Subjects and Styles
  • Opposite Directions
  • 13 Power to the People: The 1970s
  • Some Established Filmmakers
  • New Directions in CV/Direct
  • Political Emphases
  • The Feminist Surge
  • Women’s Institutions
  • Challenge for Change
  • Public Access Television
  • Other Emerging Organizations
  • Conclusions
  • 14 Video Arrives and Conquers: The 1980s
  • Film to Video
  • Cable and Satellite Technology
  • The Personal Essay Film
  • Historical Compilation
  • Strictly Political
  • Ongoing Activism
  • Racial and Ethnic Voices
  • Canada
  • England
  • Representing Gay and Lesbian Culture
  • 15 100 Years of Documentary
  • Business and Technology: The Bad and the Good
  • American Public Television
  • Archival Storytelling
  • The Ken Burns Phenomenon
  • Canada Soldiers On
  • Developments in the UK
  • American Independents
  • 16 Documentary Traditions in the Twenty-first Century
  • United States
  • Six Noted Filmmakers
  • Animation
  • Experimental Film
  • 17 Academic and Theoretical Approaches
  • Finance
  • Money and Ethics
  • Film Festivals
  • 18 Now and When
  • Globalization
  • Aesthetics and Content
  • Intimate Doings of Reality
  • Technologies
  • Social Media and Documentary
  • Commitment to History
  • Effectiveness
  • Conclusions
  • Documentaries About Documentaries
  • Filmmakers
  • Introduction to Lists
  • First-generation Documentary Makers
  • Second-generation Documentary Makers
  • Third-generation Documentary Makers
  • Author Index
  • Film Titles
  • Plates
  • Copyright
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