Efnisyfirlit

• Cover Page
• Half Title page
• Series page
• Title Page
• Copyright Page
• Dedication
• Contents
• Series Editor’s Preface
• Acknowledgements
• Introduction
• Three Girls in a Wood
• Definitions
• Who the Folk are You?
• The Types of the Folk Narrative
• Types of the Folk Tale
• Animal Tales and Fables
• Religious Tales
• Formula Tales and Cumulative Tales
• Tales of Fairies and Fairy Land
• Jocular Tales
• The Novelle
• Fairy Tale
• Two Genres?
• Notes
• The Emergence of a Literary Genre Early Modern Italy to the French Salon
• Tom Tit Tot: The Authorisation of Tradition
• The Development of a Genre: Antiquity to Early Modern Italy
• The Salon Fairy Tale in France
• The Consolidation of a Genre The Brothers Grimm to Hans Christian Andersen
• German Romanticism and the Brothers Grimm
• Hans Christian Andersen and the Nineteenth-Century Kunstmärchen
• The Emergence of Fairy-Tale Theory Plato to Propp
• Before Grimm
• The Sun Frog: Nineteenth-Century Folkloristics
• The Historic-Geographic Method and the Classification of Märchen
• Vladimir Propp and the Morphology of Fairy Tale
• The Structuralist Critique of Propp’s Morphology
• Narrative Skeletons
• Psychoanalysis, History and Ideology Twentieth- and Twenty-First-Century Approaches to Fairy Tale
• Psychoanalysis and Fairy Tale
• Fairy Medicine: Bruno Bettelheim and Reader-Focused Analysis
• Histories From Below: Historicism and the Fairy Tale
• Voice of the People? Marxism and Folk Narrative
• Ideology and the Contemporary Fairy Tale
• Conclusion
• Glossary
• Bibliography
• Index