Efnisyfirlit

• Cover
• Half Title
• Title Page
• Copyright Page
• Dedication
• Table of Contents
• List of figures
• List of contributors
• Preface
• 1 Introduction: museum as process
• 2 Indigenous ontologies, digital futures: plural provenances and the Kwakwaka’wakw Collection in Berlin and beyond
• 3 Wampum unites us: digital access, interdisciplinarity and indigenous knowledge—situating the GRASAC knowledge sharing database
• 4 Projectishare.com: sharing our past, collecting for the future
• 5 Open access versus the culture of protocols
• 6 The veracity of form: transforming knowledges and their forms in the Purari Delta of Papua New Guinea
• 7 Translating knowledge: uniting Alutiiq people with heritage information
• 8 From entangled objects to engaged subjects: knowledge translation and cultural heritage regeneration
• 9 The price of knowledge and the economies of heritage in Zuni, New Mexico
• 10 Public history in Alexandra: facing the challenges of tourism and struggle heroization
• 11 The Culture Bank: micro-credit, living objects and community development in West Africa
• 12 Locating culture with/in a Ghanaian community
• 13 Communities and museums: equal partners?
• 14 Challenging museum sustainability: governance, community participation and the fickle political climate in southern Luzon (Philippines) towns
• 15 Ko Tawa: where are the glass cabinets?
• 16 The interrogative museum
• Index