Shakespeare in Our Time

Höfundur Dympna Callaghan; Suzanne Gossett

Útgefandi Bloomsbury UK

Snið ePub

Print ISBN 9781472520418

Útgáfa 1

Útgáfuár 2016

2.590 kr.

Description

Efnisyfirlit

  • Dedication
  • Title
  • Contents 
  • Preface Lena Cowen Orlin
  • List of Contributors
  • Introduction Dympna Callaghan and Suzanne Gossett
  • 1 Feminism
  • Why Feminism Still Matters Phyllis Rackin
  • Just Imagine Kathryn Schwarz
  • Letters, Characters, Roots Wendy Wall
  • 2 Sexuality
  • Deeds, Desire, Delight Bruce R. Smith
  • Rethinking Sexual Acts and Identities Mario DiGangi
  • HexaSexuality Madhavi Menon
  • 3 Teaching
  • The Classroom David Bevington
  • Money for Jam Marjorie Garber
  • Extension Work Patricia Cahill
  • 4 Editing
  • Facts, Theories, and Beliefs Barbara A. Mowat
  • What We Owe to Editors Lukas Erne
  • What’s Next in Editing Shakespeare Sonia Massai
  • 5 Mortality
  • Suicide as Profit or Loss Mary Beth Rose
  • Death and King Lear Michael Neill
  • Shakespeare’s Here Scott L. Newstok
  • 6 Media
  • Spectatorship, Remediation, and One Hundred Years of Hamlet James C. Bulman
  • Performing Shakespeare through Social Media Pascale Aebischer
  • Reading Shakespeare through Media Archaeology Alan Galey
  • 7 Race and Class
  • Is Black so Base a Hue? Jean E. Howard
  • The Race of Shakespeare’s Mind Lara Bovilsky
  • Speaking of Race Ian Smith
  • 8 Sources
  • Shakespeare and the Bible Robert S. Miola
  • Shakespeare’s Sources Ania Loomba
  • Volver, or Coming Back Sarah Beckwith
  • 9 Text and Authorship
  • Collaboration 2016 Gary Taylor
  • The Value of Stage Directions Laurie Maguire
  • The Author Being Dead Adam G. Hooks
  • 10 Globalization
  • Against Our Own Ignorance Susanne L. Wofford
  • Circumnavigation, Shakespeare, and the Origins of Globalization Daniel Vitkus
  • The Bard in Calcutta, India, 1835–2014 Jyotsna G. Singh
  • 11 Bodies and Emotions
  • Bodies without Borders in Lear and Macbeth Gail Kern Paster
  • Potions, Passion, and Fairy Knowledge in A Midsummer Night’s Dream Mary Floyd-Wilson
  • Shakespeare and Variant Embodiment David Houston Wood
  • 12 Social Context
  • Social Contexting Frances E. Dolan
  • “Hic et ubique”: Hamlet in Sync Bradin Cormack
  • Playing in Context, Playing out Context William N. West
  • 13 Historicism
  • Historicizing Historicism William C. Carroll
  • Minding Anachronism Margreta de Grazia
  • The Historicist as Gamer Gina Bloom
  • 14 Appropriations
  • American Appropriation through the Centuries Georgianna Ziegler
  • Appropriation 2.0 Christy Desmet
  • Appropriation in Contemporary Fiction Andrew Hartley
  • 15 Biography
  • Shakespeare and Biography Peter Holland
  • Shakespeare’s Friends and Family in the Archives David Kathman
  • Biography vs. Novel Lois Potter
  • 16 Classicism
  • The Classics as Popular Discourse Coppélia Kahn
  • Shakespeare’s Classicism, Redux Lynn Enterline
  • Time, Verisimilitude, and the Counter-Classical Ovid Heather James
  • 17 Public Shakespeare
  • The Publicity of the Look Paul Yachnin
  • Public Women / Women of Valor Julia Reinhard Lupton
  • The Ghost of the Public University Henry S. Turner
  • 18 Style
  • William Shakespeare, Elizabethan Stylist Russ McDonald
  • Nondramatic Style Stephen Guy-Bray
  • Shakespeare’s Lexical Style Alysia Kolentsis
  • 19 Performance
  • Pluralizing Performance Diana E. Henderson
  • The Study of Historical Performance Tiffany Stern
  • Shakespeare / Performance W. B. Worthen
  • 20 Ecocriticism
  • Shakespeare and Nature Rebecca Bushnell
  • Shakespeare without Nature Steve Mentz
  • The Chicken and the Egg Karen Raber
  • Afterword: Shakespeare in Tehran Stephen Greenblatt
  • Copyright
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