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• Cover image
• Title page
• Table of Contents
• Copyright
• Preface: How We Got Together to Write this Book
• Acknowledgments
• Section 1: Getting into the Mood
• Chapter 1: Introduction
• Chapter 2: Introduction: Sketching the User Experience
• What This Book is About
• Companion Book
• Why Sketch?
• Structure of This Book
• Chapter 3: Why Should I Sketch?: A Synopsis of Buxton’s Sketching User Experiences: Getting the Design Right and the Right Design
• Sketching is About Design
• Getting the Design Right
• Getting the Right Design
• Elaboration and Reduction
• The Design Funnel
• The Product View
• You Now Know
• Chapter 4: The Sketchbook: Your Basic Resource for Recording, Developing, Showing and Archiving Ideas
• Why a Sketchbook?
• Uses of a Sketchbook
• Best Practices
• Properties of Good Sketchbooks
• Drawing Materials
• You Now Know
• Chapter 5: 10 Plus 10: Descending the Design Funnel: Developing 10 Different Ideas and Refinements of Selected Ideas
• The 10 Plus 10 Method
• Design Challenge 1: Connecting Two Smart Phones
• Design Challenge 2
• Design Challenge 3
• You Now Know
• Section 2: Sampling the Real World
• Chapter 6: Introduction
• Chapter 7: Scribble Sketching: Rapidly Sketching Out Ideas – Anywhere, Anytime – to Capture the Essence of that Idea
• Capturing Ideas in Existing Systems
• Scribble Sketching in the Dark, While Doing Other Things
• Practicing Scribble Sketching
• You Now Know
• Chapter 8: Sampling with Cameras: Capturing Trigger Moments
• Sampling Objects That Irritate You and Others
• Sampling Compelling Designs
• Sampling Things That Inspire You
• You Now Know
• Chapter 9: Collecting Images & Clippings: Becoming a Semi-Organized Hunter/Gatherer
• Developing Your Collection
• Examples of Collections
• You Now Know
• Chapter 10: Toyboxes and Physical Collections: Collecting Physical Stuff
• Part One: Collecting Objects as Idea Triggers
• Collecting Objects to Build With
• Part Two: Storing Objects
• Part Three: Curating Your Objects
• Case Study: The Buxton Collection
• You Now Know
• Chapter 11: Sharing Found Objects: Seeing Each Other’s Collections to Encourage Conversation
• Sometimes things are private
• Managing Sharing/Privacy Issues Around Sketching and Collecting
• You Now Know
• Section 3: The Single Image
• Chapter 12: Introduction
• Chapter 13: Warm Up to Sketching: A Sketching Exercise You Can Always Learn From
• An Exercise in Line Quality
• You Now Know
• Chapter 14: Sketching What You See: An Exercise on Drawing Accurately
• An Excercise in Drawing What You See
• Part 1: Drawing From Your Imagination
• Part 2: Copy a Drawing of a Person
• Part 3: Drawing What You Actually See
• Comparing the Results
• You Try
• You Now Know
• Chapter 15: Sketching Vocabulary: Drawing Objects, People, and Their Activities
• People Who Sketch on Computers
• Learning How to Sketch
• Comic Storytelling
• You Now Know
• Chapter 16: The Vanilla Sketch: Basic Elements Of A Sketch: Drawing, Annotations, Arrows and Notes
• The Drawing
• You Now Know
• Chapter 17: The Collaborative Sketch: Sketching to Brainstorm, Express Ideas and Mediate Interaction
• The Interactive Fridge
• Actions and Functions of Collaborative Sketching
• Gestures: Sketching with Others
• You Now Know
• Chapter 18: Slideware for Drawing: Exploiting Commonly Available Digital Presentation Tools for Sketch Drawing
• Sketching in Slideware
• Digital vs Paper-Based Sketching
• Digital Collaboration
• You Now Know
• Chapter 19: Sketching with Office Supplies: Using Commonly Available Office Supplies to Create Editable Sketches
• The Versatile Sticky Note
• Interacting with Office Supplies Over Time
• Using Office Supplies with Others
• You Now Know
• Chapter 20: Templates: Pre-Draw the Constant, Non-Changeable Parts of Your Sketch as a Template that You Can Use and Reuse
• Appropriating Photos
• More on Layers
• Back to Paper
• Another Example: a Web Page Template
• You Now Know
• Chapter 21: Photo Traces: Create Collections of Sketch Outlines that Form the Basis of Composed Sketches
• Creating a Photo Trace
• Using the Photo Traces
• You Now Know
• Chapter 22: Hybrid Sketches: Combining Sketches With Photos
• You Now Know
• Chapter 23: Sketching with Foam Core: Sketching in a Physical Medium
• Method 1: Sketching a Novel Interface for a Digital Watch
• Method 2: Using Photos to Prototype Existing Devices
• You Now Know
• Section 4: Snapshots in Time: The Visual Narrative
• Chapter 24: Introduction
• Chapter 25: Sequential Storyboards: Visually Illustrating an Interaction Sequence Over Time
• The Sequential Storyboard
• You Now Know
• Chapter 26: The State Transition Diagram: A Way to Visually Illustrate Interaction States, Transitions and Decision Paths Over Time
• A Storyboard as States and Transitions
• Transition Diagram with Branches
• You Now Know
• Chapter 27: The Branching Storyboard: Visually Illustrating Interaction Decisions Over Time
• The Cell Phone Example
• The Interactive Shopping System Example
• You Now Know
• Chapter 28: The Narrative Storyboard: Telling a Story About Use and Context Over Time
• A Vocabulary of Camera Shots and Film Making
• Method 1: Sketching Storyboards
• Method 2: Photo-Based Storyboards
• You Now Know
• Section 5: Animating the User Experience
• Chapter 29: Introduction
• Chapter 30: The Animated Sequence: Animating a Single Interaction Sequence of Registered Images
• The Slide Show
• The Registration Problem
• The Solution: Registering Images
• You Now Know
• Chapter 31: Motion Paths: Smoothly Animating Movement Emphasizes the Feeling of Interaction
• Explore Your Animation Tools
• Other Animation Tools
• You Now Know
• Chapter 32: Branching Animations: Animating Different Interaction Paths in a Branching Sequence
• Selecting Alternative Interaction Paths Through Hyperlinks
• You Now Know
• Chapter 33: Keyframes and Tweening: Creating More Complex Animations
• Some Definitions
• Example: Adobe Flash
• You Try
• You Now Know
• Chapter 34: Linear Video: Using a Movie to Illustrate an Interaction Sequence With Paper
• Recording The Movie
• Variations: Paper and Transparency
• You Now Know
• Section 6: Involving Others
• Chapter 35: Introduction
• Chapter 36: Uncovering the Initial Mental Model: Discovering How People Initially Interpret Your Sketched Interface From its Visuals
• Case Study: Usability of a Fax Machine
• Uncovering the Mental Model
• You Now Know
• Chapter 37: Wizard of Oz: A Human ‘Wizard’ Controls How Your Sketch Responds to a Person’s Interactions
• Example 1: The Listening Typewriter
• Example 2: Robotic Interruption
• Example 3: The Fax Machine
• You Now Know
• Chapter 38: Think Aloud: Discovering What People are Thinking as they Use Your Sketched Interface
• Steps of Think Aloud
• You Now Know
• Chapter 39: Sketch Boards: Arrange Your Sketches On Poster Boards to Share them With Others
• Preparation Method 1: Foam Core Poster Sheets
• Preparation Method 2: Sticky Notes and Whiteboards
• Share Your Sketches with Others
• You Now Know
• Chapter 40: The Review: Presenting Your Ideas and Getting Others to Critique Them
• The Elevator Pitch
• The Desktop Review
• The Meeting
• The Formal Review (or the Crit)
• You Now Know
• Index