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• THE CAMBRIDGE COMPANION TO: TWENTIETH-CENTURY RUSSIAN LITERATURE
• Title
• Copyright
• CONTENTS
• CONTRIBUTORS
• ACKNOWLEDGEMENTS
• NOTE ON NAMES
• CHRONOLOGY
• PREFACE
• 1 Poetry of the Silver Age
• Symbolism
• Acmeism
• Futurism
• NOTES
• FURTHER READING
• 2 Prose between Symbolism and Realism
• NOTES
• FURTHER READING
• 3 Poetry of the Revolution
• Proletarian poets, the Neo-peasants, and national renewal
• The `third front’, NEP, and Futurism
• The poetry of dystopia and the absurd
• NOTES
• FURTHER READING
• 4 Prose of the Revolution
• Revolution, writer, episode
• Narrative, cycle, fragment
• Language, persona, author
• NOTES
• FURTHER READING
• 5 Utopia and the Novel after the Revolution
• Topology and geography
• Temporality and chronology
• Narrativity and textuality
• Conclusion
• NOTES
• FURTHER READING
• 6 Socialist Realism
• Origins: Socialist Realism and Soviet literature
• The Socialist Realist canon: the doctrine
• The Socialist Realist canon: a history
• Functions: Socialist Realism and Soviet reality
• NOTES
• FURTHER READING
• 7 Poetry after 1930
• The poet faces the state
• War and historical catastrophe
• Poems of mind, spirit, body
• The enduring natural world
• Poems of love
• Faith, belief, religious fantasies
• Sites, locations, communities of poets
• Translations, comparisons, connections
• Conclusion
• NOTES
• FURTHER READING
• 8 Russian Epic Novels of the Soviet Period
• Epic and Soviet novel
• Mikhail Sholokhov
• Alexander Solzhenitsyn
• Vasilii Grossman and Boris Pasternak
• NOTES
• FURTHER READING
• 9 Prose after Stalin
• `The truth of the trenches’: personalizing war memory
• Village prose: memory as nostalgia
• Urban prose: memory as the brushwood of history
• NOTES
• FURTHER READING
• 10 Post-Soviet Literature between Realism and Postmodernism
• Perestroika in literature
• The transformations of realism
• Postmodernism: from underground to mainstream
• NOTES
• FURTHER READING
• 11 Exile and Russian Literature
• `Writing from afar’: the first-wave Russian emigration
• `Moving my lips soundlessly at dawn’: the inner exile of Russian writers in the Soviet Union
• Speaking in strange tongues: Nabokov’s and Brodsky’s linguistic versions of exile
• NOTES
• FURTHER READING
• 12 Drama and Theatre
• Before the Revolution
• From the Revolution to Socialist Realism
• The Thaw and afterwards
• The post-Soviet scene
• In lieu of a conclusion: `New Drama’ in the new millennium
• NOTES
• FURTHER READING
• 13 Literature and Film
• The debate about film and literature in the post-Revolutionary years
• The 1930s: sound comes to Soviet cinema
• The Second World War and late Stalinism
• Thaw cinema
• Late Soviet cinema
• Recent developments
• NOTES
• FURTHER READING
• 14 Literary Policies and Institutions
• Literature as an institution and the institutions of literature
• Cultural policy and literary institutions in pre-Revolutionary Russia
• The first years of the Soviet regime
• The Stalinist period
• The Thaw and Stagnation
• Perestroika and post-Soviet Russia
• NOTES
• FURTHER READING
• 15 Russian Critical Theory
• Russian Formalism
• The psychological critics
• The Bakhtinians
• The Marxists and Socialist Realists
• The Tartu School Semioticians
• Russian theory at the end of the millennium
• NOTES
• FURTHER READING
• INDEX