Efnisyfirlit

• Cover
• Half Title
• Acknowledgements
• Title Page
• Copyright Page
• Acknowledgements
• Acknowledgements
• Contents
• Sidebar List
• Table List
• Illustration List
• About the Author
• Preface to the Fourth Edition
• Acknowledgements
• Part One Introducing the Cultural Industries
• 1 Change and Continuity, Power and Creativity
• 2 The Cultural Industries Approach: Distinctive Features of Culture-Producing Businesses
• Part Two Analytical Frameworks
• 3 Theories of Culture, Theories of Cultural Production
• 4 Cultural Industries in the Twentieth Century: The Key Features
• 5 Why the Cultural Industries Began to Change in the Late Twentieth Century
• Part Three Policy Change
• 6 Policy Change in Media and Telecommunications: Marketisation and Copyright
• 7 Cultural Policy: Creative Cities, Creative Industries, Creative Economies
• Part Four Change and Continuity in the Cultural Industries, 1990 to 2017
• 8 Ownership (1): Concentration, Conglomeration and Corporate Power, 1980–2010
• 9 Ownership (2): Concentration, Conglomeration and Corporate Power, 2010 onwards
• 10 How the Claims of Digital Optimists were Contradicted by the Rise of Digital Culture
• 11 The Effects of Digital Networks on Individual Industries
• 12 Creativity, Commerce and Organisation
• 13 Working Conditions and Inequalities in the Cultural Industries
• 14 Internationalisation: Neither Globalisation nor Cultural Imperialism
• 15 Texts: Diversity, Quality and Social Justice
• 16 Conclusions: A New Era in Cultural Production?
• Appendix: Some Objections to my Definition of the Cultural Industries and the Assumptions Employed Therein
• Glossary
• References
• Index