The New Routledge Companion to Science Fiction

Höfundur Bould, Mark

Útgefandi Taylor & Francis

Snið ePub

Print ISBN 9780367690533

Útgáfa 2

Útgáfuár 2024

6.890 kr.

Description

Efnisyfirlit

  • Cover
  • Half-Title Page
  • Series Page
  • Title Page
  • Copyright Page
  • Table of Contents
  • List of Contributors
  • Introduction
  • Part I Science fiction histories
  • 1 North African, Middle Eastern, Arabic and diasporic science fiction
  • Introduction: Locating Arab sf in time, space and place
  • Fantastical centres of gravity
  • Space: Inner space, outer space, astrophobia
  • Nation: ‘Now it’s the space race for skyscrapers’ (al-Maria qtd in Orton)
  • Future: ‘palestine is a futurism’ (Tbakhi n.p.)
  • In conclusion: An other to realism
  • Works cited
  • 2 The Copernican revolution
  • What was the Copernican Revolution?
  • Seventeenth-century interplanetary tales
  • Time
  • Politics
  • Conclusion
  • Works Cited
  • 3 Indigenous futurisms
  • Indigenous science fiction and speculative aesthetics
  • Indigenous futurity as political praxis
  • Works cited
  • 4 Art as science fiction
  • Industrial art: Sublimity, 1766–1850
  • Imperial art: Colour experiments, 1850–1900
  • Modern movements: Time, space and the machine, 1900–45
  • Cold War art: Machine images, 1945–90
  • Post-colonial art: New cosmologies, 1990–2114
  • Conclusion
  • Works cited
  • 5 Nineteenth-century western science fiction
  • Works cited
  • 6 Latin American science fiction
  • Works cited
  • 7 Russian-language science fiction
  • Tsarist-era sf: 1784–1917
  • Early Soviet sf: 1918–27
  • Stalinist-era Soviet sf: 1928–55
  • Thaw-era Soviet sf: 1956–65
  • Stagnation-era Soviet sf: 1966–85
  • Glasnost’-era Soviet sf: 1986–91
  • Post-soviet sf: After 1991
  • Works cited
  • 8 South Asian science fiction
  • Works cited
  • 9 Afrodiasporic speculative fiction
  • All Afro-everything
  • From ancestors to futures
  • Works cited
  • 10 Anglophone print fiction: Children’s and young adult
  • A brief history of primary sf
  • A brief history of YASF
  • Critical concerns
  • Recent directions in YASF and primary sf
  • Works cited
  • 11 Afrofuturism
  • Alienation and estrangement
  • Contesting the future
  • Revisiting and revising the past
  • New conceptions of identity
  • In lieu of a conclusion: Notes on Afrofuturism’s future
  • Works cited
  • 12 Science fiction illustration
  • Definitions and historiographies
  • Form and function
  • Typical techniques
  • Economic factors: Boom, bust, marginalisation, then repeat
  • Works cited
  • 13 Japanese science fiction
  • Scientific nationalism
  • From kagaku shōsetsu to sf
  • Animated bodies
  • Works cited
  • 14 Science fiction film, 1895–1950
  • Works cited
  • 15 Chinese science fiction
  • Works cited
  • 16 Anglophone print fiction: The pulps to the New Wave
  • Works cited
  • 17 Anglophone science fiction fandoms, 1920s–2020s
  • Works cited
  • 18 Science fiction theatre
  • Twentieth-century sf theatre
  • Twenty-first century sf theatre
  • Afrofuturist theatre and performance
  • Conclusion
  • Works cited
  • 19 Radio and podcasts
  • Radio, sound and narrative
  • Sf radio in the United States
  • Sf radio in the United Kingdom
  • Sf podcasts
  • Conclusion
  • Works cited
  • 20 Comics from the 1930s to the 1960s
  • Works cited
  • 21 Science fiction film and television: The 1950s to the 1970s
  • Introduction: Disaster, death and despair
  • Disaster in the 1950s
  • Death in the 1960s
  • Despair in the 1970s
  • Conclusion
  • Work cited
  • 22 Video, installation art and short science fiction film
  • 23 Anglophone print fiction: The New Wave to the new millennium
  • The New Wave
  • Style and substance
  • Politics and ideologies
  • Technology and beyond
  • Cyberpunk and its contemporaries
  • Punk and other aesthetics of postmodernity
  • Speculative biopolitics and leftist critique
  • Technocultural transformations
  • Conclusion
  • Works cited
  • 24 Comics since the late 1960s
  • Works cited
  • 25 Transmedia and franchise science fiction
  • The Star Wars event: Transmedia storytelling takes flight
  • The political economy of transmedia franchising
  • Transmedia franchising comes of age: Marvel superheroes in the age of Disney
  • Disney’s competition: DC, Star Trek and the Lego-verse
  • Works cited
  • 26 Science fiction film and television: The 1980s and 1990s
  • An expanded universe: Industries, technologies and aesthetics
  • Technoscience
  • Time travels
  • Alien encounters
  • Dystopias and post-apocalyptic futures
  • Into the 21st century
  • Works cited
  • 27 South Korean science fiction
  • Protest sf
  • Post-IMF sf
  • Feminist and queer sf
  • Conclusion
  • Works cited
  • 28 Twenty-first century film
  • 29 Twenty-first century television
  • Realities, conspiracies, catastrophes
  • More-than-human protagonists in near-futures
  • Invasions, empires, the new space age
  • The utopian, the strange, the visionary
  • Works cited
  • 30 Anglophone print fiction: The new millennium
  • Works cited
  • 31 Diasporic Latinx futurisms
  • Defining Latinx Futurisms
  • Four tenets of Latinx futurisms
  • Indigenous science and Traditional Knowledge in Latinx Futurisms
  • Conclusion
  • Works cited
  • Part II Science fiction praxis
  • 32 Advertising, prototyping and Silicon Valley culture
  • Advertising
  • Prototyping
  • Silicon Valley culture
  • Works cited
  • 33 Alternate history
  • Works cited
  • 34 Animal studies
  • Works cited
  • 35 Biopolitics
  • Foucault and the order of biopolitical governance
  • Agamben and biopolitical fractures of modernity
  • Esposito and the autoimmune disorder
  • Biopolitical elision, decolonial critique
  • Works cited
  • 36 Climate crisis and environmental humanities
  • Works cited
  • 37 Critical ethnic studies
  • Mediating late capitalism
  • Case study: Asian American sf
  • Conclusion
  • Works cited
  • 38 Digital cultures
  • Theorising digital cultures
  • Turning into data
  • Radicalisation and disinformation
  • Conclusion
  • Works Cited
  • 39 Disability studies
  • Disability and sf
  • Why a disability perspective on sf?
  • Conceptualising the future: Medical and technological cures
  • Reading the absence
  • Conclusion
  • Acknowledgments
  • Works cited
  • 40 DIY science fiction
  • Theorising DIY sf
  • DIY fan films
  • DIY Trek
  • Original DIY sf
  • Conclusion
  • Works cited
  • 41 Economics and financialisation
  • The financial turn and financial sf
  • Speculative finance vs. speculative fiction
  • Financialisation and debt
  • Sf, algorithmic AI and surveillance capitalism
  • Sf as a financial instrument
  • Conclusion: Sf, finance, sabotage and utopian recuperation
  • Works cited
  • 42 Empire
  • Works cited
  • 43 Energy humanities
  • Works cited
  • 44 Feminisms
  • Pre-nineteenth century English feminism, sf and utopias
  • US feminism and utopian sf, 1820–1920
  • US feminism(s), women’s activism and women’s pulp sf, 1920–1960
  • US women’s liberation movement and prominent feminist sf, 1960–80
  • Standpoint, post-structural, intersectional, third wave feminism(s) and cyborg feminist sf, 1980s–2000
  • Continuing waves, lengthening strands, and diverse feminist sf, 2000–present
  • Works cited
  • 45 Game studies
  • Affective science fictions
  • Modularity of sf
  • Worldbuilding
  • Spatiality
  • Procedurality
  • Works cited
  • 46 Geography, urban design and architecture
  • The planetary
  • The city
  • The neighbourhood
  • The building
  • The room
  • The doorway
  • Works cited
  • 47 Marxism
  • Marxism(s) and literature(s)
  • Marxist sf
  • Works cited
  • 48 Medical humanities
  • Biomedical novums
  • Looking ‘into’ and ‘at’ the medical future
  • Illness narratives and disability studies
  • Conclusion
  • Works cited
  • 49 New materialism
  • Works cited
  • 50 Post/trans/human
  • Critical posthumanism
  • Transhumanism
  • The control problem
  • Posthumanism in the Anthropocene
  • Critical transhumanism
  • Works cited
  • 51 Queer and trans theory
  • Introduction: Science fiction is queer theory?
  • Queer and trans worldbuilding as collective performance
  • Undoing human nature
  • Watery kindred
  • Conclusion
  • Works cited
  • 52 Science fiction tourism
  • Space tourism
  • A brief history of sf tourism
  • Historical and cultural destinations for sf tourism
  • World’s fairs
  • Coney Island and its successors
  • Dime museums
  • The future now: Closer to home
  • Works cited
  • 53 Social activism and science fiction
  • Works cited
  • 54 Sonic studies
  • Works cited
  • 55 Utopian studies
  • Introduction
  • Colonising Utopia
  • Eugenic perfection
  • An ongoing legacy
  • Utopianism’s alternate histories
  • Beyond the pale
  • Works cited
  • Index

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