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• PREFACE
• ACKNOWLEDGMENTS
• 1 AN INTRODUCTION TO COLOR STUDY
• The Experience of Color
• Color Awareness
• The Uses of Color
• Color-Order Systems
• Color Study
• Notes
• 2 A LITTLE LIGHT ON THE SUBJECT
• Light
• Additive Color: Mixing Light
• Lamps
• Lamp Types
• Special Purpose Lamps
• False Promise: Full-Spectrum Lighting
• Lighting Level
• Vision
• The Illuminant Mode of Vision
• The Object Mode of Vision
• Modifying Light: Colorants
• Lamps and Color Rendition
• The Color Rendering Index
• Metamerism and Matching
• Modifying Light: Surface
• Transparent, Opaque, and Translucent
• Iridescence
• Luminosity
• Indirect Light, Indirect Color
• Filters
• Notes
• 3 THE HUMAN ELEMENT
• The Sensation of Color
• Threshold
• Intervals
• The Perception of Color
• Physiology: Responding to Light
• Healing and Color
• Synaesthesia
• Psychology: Responding to Light
• Naming Colors
• Color As Language: From Name to Meaning
• Impressional Color
• Color As Words Alone
• Notes
• 4 THE VOCABULARY OF COLOR
• Hue
• The Artists’ Spectrum
• Primary, Secondary, and Intermediate Colors
• Saturated Color
• Other Spectrums, Other Primaries
• Chromatic Scales
• Complementary Colors
• Cool and Warm Colors
• Analogous Colors
• Tertiary Colors: Chromatic Neutrals
• Black, White, and Gray
• Value
• Pure Hues and Value
• Tints and Shades
• Monochromatic Value Scales
• Comparing Value in Different Hues
• Line
• Value and Image
• Transposing Image
• Saturation
• Saturation: Diluting Hues with Gray
• Saturation: Diluting Hues with the Complement
• Theoretical Gray
• Tone
• Notes
• 5 THE INSTABILITY OF COLORS
• The Instability of Colors
• Color Composition
• Ground and Carried Colors
• Placement and Color Change
• Equilibrium
• Simultaneous Contrast
• Afterimage and Contrast Reversal
• Complementary Contrast
• Ground Subtraction
• Color and Area: Small, Medium, Large
• 6 ILLUSION AND IMPRESSION
• Color Illusions
• The Illusion of Depth
• Spatial Effects of Colors
• Transparence Illusion
• Fluting
• Vibration
• Vanishing Boundaries
• Luminosity
• Bezold Effect
• Optical Mixes
• Notes
• 7 COLOR THEORY: A BRIEF HISTORY
• Setting the Stage
• The Beginnings of Color Theory
• Color and Controversy
• The Scientific Model: Color Gets Organized
• Color by the Numbers
• A New Perspective
• Notes
• 8 COLOR HARMONY
• In Search of Beauty
• Intervals and Harmony
• Hue and Harmony
• Major and Minor Themes
• Value and Harmony
• Saturation and Harmony
• Beyond Harmony: Dissonant Colors
• The X-tra Factor: Surface and Harmony
• Some Harmonious Conclusions
• Notes
• 9 TOOLS OF THE TRADE: COLOR IN PRODUCT AND PRINT
• It’s the Real Thing: Color in Product and Print
• Design Media
• Artists’ Media
• Subtractive Mixing: Pure Hues
• Subtractive Mixing: Muted Hues
• Tinting Strength
• Color Printing: Process Colors
• Color Printing: Spot Colors
• Screen and Block Printing
• Note
• 10 THE MEDIUM OF LIGHT
• Images of Light
• Lost in Translation
• The Screen Display
• Color Display Modes
• Color Management
• Color on the Web
• Web Color Coding
• Emerging Media: E-Ink
• Notes
• 11 THE BUSINESS OF COLOR
• The Color Industries
• Colorants
• Color Sampling
• Color Forecasting
• Color Consulting
• Color and Product Identity
• Palettes
• Traditional Colors, Document Colors
• Palettes and the Past
• Color Becomes Fashion
• Color Cycles: A Modern History
• Today and Tomorrow
• Notes
• GLOSSARY
• BIBLIOGRAPHY
• INDEX
• EULA